Some of the most amazing things about Dunkirk, the lauded new movie written and directed by Christopher Nolan, are the things that are not in the film. Dunkirk dramatizes what was considered at the time a massive failure — the 1940 evacuation of 300,000 British troops from France at the beginning of World War II. In Dunkirk the film there’s no cute, sarcastic hero like in American action films (Christopher Nolan is British). There are no lingering torture scenes, a specialty of American sadist Quentin Tarantino. Indeed, the faces of the villains in Dunkirk — the German forces — are never seen. There are no ridiculous stunts that defy physics and common sense. There’s very little Computer Graphics Images, the gleaming special effects technology that makes so many modern films look like plastic. There’s no happy ending, but there is an astonishing, tear-inducing climax that is one of the best defenses of the West and freedom ever committed to film. These omissions, along with rich cinematography, the brilliant use of music, terrific actors and a general tone of understatement combine to make Dunkirk—a story of survival and stirring patriotism in the face of evil—a truly great film.