The word “uncompromising” is often attached to creative artists who defy convention. It is usually reserved for those who break taboos about violence or sex, particularly in motion pictures. Martin Scorsese’s Taxi Driver (1976) is “uncompromising,” as is Oliver Stone’s Natural Born Killers (1994), Marlon Brando’s pornographic Last Tango in Paris (1972), and Darron Aronofsky’s ugly and violent homage to environmentalism, Mother! (2017).
Darkest Hour, the new film about Winston Churchill’s leadership of Britain as the Nazis approached in 1940, is a truly uncompromising movie.