Detroit, the new film from Oscar-winning director Kathryn Bigelow (2009’s The Hurt Locker), is actually three films. The first is a documentary-style dramatization of racial tensions in Detroit in 1967 that led to riots and fatalities. The second film is a horror movie in the style of The Texas Chainsaw Massacre (1974). The third film is a standard courtroom drama.
Unfortunately, Detroit, which is powerful for its first half hour, sinks under the weight of those